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Making a Gargoyle Cane

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Construction techniques for carving a functional cane

After researching the mysterious art form of gargoyles, I wondered how I could integrate a carved gargoyle with a subject dearer to my heart: canes and walking sticks. One thought that crossed my mind when I first studied images of classic waterspout, or "true" gargoyles, was: "Man, that would make a great cane handle!"

I needed to work the design into a shaft and determine how to make it strong enough to support weight. This design is typical of a classic Notre Dame cathedral gargoyle. I have arched the overall shape a bit in order to have it fit the hand better, and I omitted the drainage channel that normally would run the length of the carving.

I use mahogany for the handle. Mahogany is strong, but not too hard to carve. Avoid using a softer wood such as basswood for this project, as it may easily snap when in use. Even better would be a much harder wood, such as cherry or maple, but they can be quite difficult to carve. The shaft is swamp maple. I chose swamp maple because I like the bark. You can choose just about any wood you like for the shaft, but be sure it is strong and resistant to dents. It is important that the total diameter where the shaft joins the handle is no more than 1½" (38mm), otherwise you will not be able to taper the sleeve to a seamless fit–1¼" (32mm) would be preferable. Cut the shaft's overall length longer than you think you will need–you will be able to cut it down when the project is all together later.

Carving Gargoyles, Grotesques, and Other Creatures of Myth - History, Lore, and 12 Artistic Patterns

Carving Gargoyles, Grotesques, and Other Creatures of Myth

by Shawn Cipa

These mysterious beasts are a popular carving subject for anyone looking to add primitive ornamentation in and around their homes. If you've ever wanted to carve a gargoyle, grotesque, chimera, or guardian, or just understand their differences, this unique book will guide you from start to finish. Get it at FoxChapelPublishing.com

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Comments (4 posted):

jpsowers on 04/06/2010 21:10:21
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This is a beautiful cane head. I was disappointed to see that the pdf pattern was a thumbnail though and not the real pattern.
BobD on 04/07/2010 08:55:54
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Thanks for the heads up. That was the wrong attachment. I've uploaded the correct attachment. Best Regards, Bob Duncan Technical Editor
WhiteShaman on 04/07/2010 21:02:45
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I have one question and one comment. Question: Why is it important to have the grain run in the direction of the shaft, so much so that you would use two pieces. I assume it was equally important to have the Gargoyle grain run lengthwise....why? I'm new at this and this has me intrigued because I haven't considered grain at all in my limited time carving. Comment: I recently finished attaching my first carved top to a cane shaft and when I showed the finish product to an old woodworker, he explained that when they use to build stairs and stair rails/spindles, that they would leave plenty of clearance between the male and female joints and use "Bondo" to fill the gap so that they could move the two pieces into position with ease and accuracy without trying to make them match perfectly by shaping the joints. That seems like a great idea to me and I think I will try it next time. What do you think? Thanks for sharing and thanks in advance for answering my questions. Very helpful article! Blessings, James
vin on 05/23/2010 17:32:36
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It is OK now I made a copy and it is 100% dia. 1.5 inch I might make one and do a a vrevision to be original Thanks Vinc
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Shawn Cipa
Shawn Cipa's carving repertoire shows his preference for all things whimsical. His latest book, Carving Fantasy and Legend, Figures in Wood is a showcase for Shawn's artistic talent, his imaginative mind and skilled hands. Shawn's first attempt at carving was a bearded "wood spirit" face which he scrawled into a piece of found driftwood. He continues to carve solely with hand tools in the rolling hills of Western Pennsylvania.

Shawn Cipa was recognized as "Santa Carver of the Year" after he won Woodcraft's National Santa Carving contest. His work has appeared in Woodcarving Illustrated magazine. He is also the author of Carving Folk Art Figures and Wood Spirits and Green Men. Shawn accepts commissions for his work and can be contacted at www.shawnscarvings.com.
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