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New Masters of Woodturning

In this unique collection of artistic pieces that have redefined the limits of shaped wood, crafters and designers alike are treated to a wealth of knowledge from 31 leading artists who share their personal motivations, thought processes, and the studio techniques employed to bring out the breath-taking beauty of wood. Available at www.Foxchapelpublishing.com

Carving on Turning

Modern woodturning masters embellish their work with carving

The popularity of artistic woodturning has skyrocketed in the past decade. The modern masters featured in this article have combined turning with carving to create stunning compositions, of which the beautifully turned shape is only the beginning.

 

Ron Layport

Ron Layport: Turning is the basis

Ron Layport commits a great deal of time to carving, yet he considers turning to be the basis of all of his work. The Pittsburgh, PA resident started out creating one-of-a-kind furniture. He became interested in turning when he wanted to learn to make round legs and feet. Ron took a weekend workshop on turning with David Ellsworth. He learned to turn a bowl and a hollow form, and never quite got to the table leg. Ron fell in love with artistic turning, and two decades later, it remains an integral part of his work.

 

(click on each to enlarge)
<em>INCARNATION OF THE SALMON KING</em>, 2006. Sycamore, ebony, brass, copper wire, pigment, dye; 14¼" high x 11" wide x 7" deep.
INCARNATION OF THE SALMON KING, 2006. Sycamore, ebony, brass, copper wire, pigment, dye; 14¼" high x 11" wide x 7" deep.
<em>SILK MORNING</em>, 8¼"-diameter x 14½" tall
SILK MORNING, 8¼"-diameter x 14½" tall
SPIRIT WHITES (ON SKY BLUE PALE), 2006. Maple, bleached, pigmented; 10¼" high x 9" diameter.
SPIRIT WHITES (ON SKY BLUE PALE), 2006. Maple, bleached, pigmented; 10¼" high x 9" diameter.
SPIRIT WHITES (ON SKY BLUE PALE), 2006. Maple, bleached, pigmented; 10¼" high x 9" diameter. (detail)
SPIRIT WHITES (ON SKY BLUE PALE), 2006. Maple, bleached, pigmented; 10¼" high x 9" diameter. (detail)
 
<< J. Paul Fennell: Infinite piercing Liam Flynn: Plain wood grain emphasizes the form >>

 

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